emma_in_dream: (Henry Moore)
Riders Jilly Cooper 1985
Oil Paintings in Public Ownership - Kent Public Catalogue Foundation 2004
Oil Paintings in Public Ownership: West Yorkshire, Leeds Public Catalogue Foundation 2004
Oilt Paintings in Public Ownership: Birmingham Public Catalogue Foundation 2008
Kill Anything That Moves the Real Amerian War in Vietnam Nick Turse 2013
We Gotta Get Out of this Place: The Soundtrack of the Vietnam War Doug Bradley and Craig Warner 2015
Jessica's First Prayer Hesba Stretton 1866
Poemsq Frances EW Harper 1854
Historic Australian Quilts Annette Gero 2000
The Man Who Made Husbands Jealous Jilly Cooper 1993
Pandora Jilly Cooper 2002
New York Review of Books 2018
American Quilt and Coverlets in the Metropolitan Museum of Art Amelia Peck 2007
emma_in_dream: (Default)
*Jessica’s First Prayer* (1866)

It is unlikely that this very slight children’s book would continue to be read today if it were not for its evangelical message.

Hesba Stretton was the pen name of Sarah Smith (1832 –1911), an English writer of children's books. She was a Methodist and one of the most popular Evangelical writers of the 19th century. Her moral tales and religious stories were printed in huge numbers and often chosen as school and Sunday-school prizes. She became a regular contributor to Household Words and All the Year Round under Charles Dickens's editorship, after her sister had successfully submitted a story of hers without her knowledge. Altogether she wrote more than 40 novels.

The book that won her widespread fame was Jessica's First Prayer, first published in the journal Sunday at Home in 1866 and the following year in book form. By the end of the 19th century it had sold at least a million and a half copies (nearly ten times as many as Alice in Wonderland).
The plot is incredibly slight – Jessica is a street waif with an alcoholic mother who befriends a street coffee seller. She follows him to the Church where he acts as a warden and is converted. In turn, her sweet nature converts him from his money-grubbing ways.

This book launched a thousand sequels, with all those stories about street arabs (a very odd 19th century term for the urban poor) and the importance of philanthropy to the poor. I found it very hard to take the Christian message straight as there is such a long debate about whether or not she should be allowed in the Church as she looks so ‘low’ in her rags and without shoes. In the end, the compromise is that she puts on a second hand cloak belonging to the Minister’s daughter every time she goes to Church so as to not distract the congregation with her scruffiness. Otherwise there might have been some kind of Peterloo-like uprising, I suppose. Surely the more Christian response would have been to clothe the poor?

Having said that, Stretton did herself walk the walk as well as talk the talk. She worked with slum children in Manchester in the 1860s and in 1884 was one of the co-founders of the London Society for the Prevention of Cruelty to Children which later combined with other organisations to form the national society we now know. She was the chief writer for the Religious Tract Society which started producing easy-to-read novels and fiction in the 1850s. In her retirement she and her sister ran a branch of the Popular Book Club for working-class readers.

I would also note that the book has a lot of reviews on Goodbooks. Far more than you would imagine that a mostly forgotten work of minimal literary merit would have. It now seems to be read either by:

• Evangelists who like the message and the way the language is pitched at the right level for using as a home school text. It looks like some American publishers still print it.
• People interested in 19th century children’s literature.

My summary – it’s a very short read. The language is plain. The plot is straightforward. It was and continues to be famous only for its evangelical piety.
emma_in_dream: (CaptainAmerica)
Eliza Action, Modern Cookery in All Its Branches, 1845

Isabella Beeton, Mrs Beeton’s Book of Household Management, 1861

Modern autobiographers and food critics fall into one of two camps – followers of Eliza Acton or of Isabella Beeton (the famous Mrs Beeton). The beef goes back to 1861 when Isabella Beeton wrote her mammoth *Mrs Beeton’s Book of Household Management*, and bulked it out by lifting a very large number of recipes from Eliza Acton’s work. Both were vastly popular in their day, but Beeton’s husband’s relentless promotion meant she came to be seen as the definitive nineteenth century cook and Acton’s contributions were overlooked.

Acton’s Modern Cookery in All Its Branches, 1845

Very little is known about Eliza Acton – there are only four letters to her that have survived so basically what you get in her books is what you know about her. She produced three massive cookbooks and one collection of verse. Her recipes appear to have all been individually tested as she adds an ‘observations’ note at the end of most, which implies personal experimentation, often with reference to adapting recipes to local tastes or to make them cheaper.

As an example:

QUINCE OR APPLE CUSTARDS

Add to a pint of apple juice prepared as for jelly, a tablespoonful of strained lemon juice, and from four to six ounces of sugar according to the acidity of the fruit; stir these boiling quickly, and in small portions, to eight well beaten eggs, and thicken the custard in a jug placed in a pan of boiling water, in the usual manner. A larger proportion of lemon juice and high flavouring of the rind can be given when approved. For quince custards, which if well made are excellent, observe the same directions as the apple, but omit the lemon juice. As we have before observed, all custards are made finer when made with the yolks only of the eggs, of which the number must be increased nearly half when this is done.

Prepared apple juice (see page 427), 1 pint; lemon juice, I tablespoonful; sugar, 4 to 6 ozs; eggs, 8. Quince custards, same proportions, but no lemon juice.

Obs – In making lemon creams the apple juice may be substituted very advantageously for water, without varying the receipts in other respects.

We read the ingredients list as a normal part of the recipe, but this was Acton’s brilliant contribution to the genre. Previously there had been no list of ingredients – you had to scan the recipe to check you had everything. And previously the measurements were imprecise – ‘a handful’, ‘as much as makes a good mix’ etc. Acton made it clear and repeatable.

The full title of her cook book says the instructions were ‘given with the most minute exactness’, and her improvements to the standard way of setting things out certainly made it a lot easier to successfully follow the book’s instructions.

My observations of Acton’s work… She has a sense of humour. She includes recipes for a publisher’s pudding ‘which can scarcely be made too rich’ and an author’s pudding that is essentially some cinnamon in milk heated over a candle.

One thinks about Victorian cooking as consisting of endless meals of over-cooked cabbage, and Acton did record the first brussel sprout recipe. However, she includes a whole section on curries and another on ‘chatneys’. She attributes the ‘great superiority of the oriental curries over those generally prepared in England’ to the freshness of the available ingredients. She gives a variety of recipes and notes that some would be ‘somewhat too acid for English taste in general, and the proportion of onion and garlic by one half too much for any but well seasoned Anglo-Indian palates’. This is a reminder that Victorian London was at the centre of a trading empire, which for Acton domestically meant a brother in the East Indies.

Acton, wrote that ‘until very recent years, [English] cookery has remained far inferior to that of nations much less advanced in civilization’. She means here French and Italian cuisine, but even that is charming to meet in what one thinks of as the insular innards of English cooking.

Mrs Beeton’s Book of Household Management, 1861

Beeton took Acton’s success with listing the ingredients and gave it a twist. She put the information at the top of the recipe and also added some details on how much is made and how much it costs.

So her recipes look like:

PLAIN AND ECONOMICAL; A NICE PUDDING FOR CHILDREN

Ingredients: 1 teacupful of rice; 2 tablespoonful of moist sugar; 1 quart of milk; ½ oz of butter or 2 small tablespoonfuls of chopped suet; ½ teaspoonful of grated nutmeg

Mode: Wash the rice, put it in a pie dish with the sugar, and stir these ingredients well together; then add the butter cut up into very small pieces, or, instead, add the finely minced suet; grate a little nutmeg over the top, and bake in a moderate oven, from 1.5 to 2 hours. As the rice is not previously cooked, care must be taken that the pudding be slowly baked, to give plenty of time for the rice to swell, and for it to be very thoroughly done.

Time 1.5 to 2 hours. Cost 7d. Sufficient for 5-6 children. Seasonable at any time.

In addition to taking Acton’s idea about recipe lay out, Beeton shamelessly copied whole sections of Acton’s recipes. Beeton was operating under time pressure and picked up one third of her soup recipes straight from Acton; one quarter of the fish recipes, usually without mentioning the plagiarism.

She also provided a lot more than recipes. Acton was content to produce a really good cook book. Beeton wrote a guide to household management – covering all areas. The index is astonishing, with references to a random section running…. Tartlets (subdivision Polish), Tarrogan, Taxes, Tea (subdivisons on And coffee, Mrs Nightingale’s opinion on, To make), Teacakes (subdivision To toast), Teal (subdivisions To carve, To roast), Teething, Tenancy.

While Beeton lacked the patience to create her own recipes, she does have a great turn of phrase. Her introduction is notably stirring, with its martial comparison of the housekeeper as warrior defender. Acton used a similar idea: ‘Who, indeed, can guard all the interests of home as [women] can?’ But this generic, diffused guarding is a lot less memorable than Beeton’s warrior defender.

‘As with the commander of an army, or the leader of any enterprise, so it is with the mistress of the house. Her spirit will be seen throughout the whole house; and in just proportion as she performs her duties intelligently and thoroughly, so will her domestics follow in her path.’

I am an Actonite.



Food History Notes

When I read these books I realise how easy modern life is. When I want to make jelly, I get a packet of jelly crystals. When they wanted to make jelly, they started with some calf feet and began by skinning them.

Also, lucky me to live in the age of food testing and standards. Both books are full of advice of how to test for adulteration and how to clean the food after it was received from the grocers. Acton’s description of how to check currants goes into the most gruelling detail, but remember that the currents were packed in hessian sacks that can easily pick up gravel and are stored in batches, complete with stalks and leaves.

TO CLEAN CURRANTS FOR PUDDINGS OR CAKES

Put them into a cullender [sic], strew a handful of flour over them and rub them with the hands to separate the lumps, and to detach the stalks; work them round in the cullender, and shake it well, when the small stalks and stones will fall through it. Next pour plenty of cold water over the currants, drain and spread them on a soft cloth, press it over them to absorb the moisture and then lay them on a very clean oven tin or a large dish, and dry them very gradually (or they will become hard), either in a cool oven or before the fire, taking care in the latter case that they are not placed sufficiently near it for the ashes to fall amongst them. When they are perfectly dry, clear them entirely from the remaining stalks, and from every stone that may be amongst them. The best mode of detecting these is to lay the fruit at the far end of a large white dish, or sheet of paper, and to pass it lightly, and in very small portions, with the fingers, towards oneself, examining it closely as this is done.’

I would have run out of energy at this point and eaten the currants without pudding, I think. After individually flouring, washing, drying and inspecting them, of course.

2018 books

Jan. 3rd, 2019 06:56 pm
emma_in_dream: (bucky)
2018 books - 123 read, of which 40 were non fiction, mostly about autism and coeliac disease. Boo. 13 were magazines, and 2 were poetry collections.

Ranked by decade:

1800s (century): 4
1900s: 0
1910s: 2
1920s: 0
1930s: 11
1940s: 4
1950s: 6
1960s: 7
1970s: 8
1980s: 11
1990s: 12
2000s: 21
2010s: 37

The 1980s would be a lot of Lois McMaster Bujold and the 1930s would be a lot of Georgette Heyer and Dorothy Sayers.
emma_in_dream: (Default)
Bob Woodward Fear, Trump in the White House 2018
Mihael Le Lanning Tours of Duty: Vietnam War Stories 2014
Georgette Heyer Frederica1965
Ruth Scurr Fatal Purity: Robespierre and the French Revolution 2007
Carol Ryril Brink Baby Island 1937
Agatha Christie The Hollow 1946
The Coeliac Society What Now? A Positive Approach to Your Child's Coeliac Disase 2009
Joyce Lankester Brisley Further Doings of Milly Molly Mandy 1932
Ethel Turner The Story of a Baby 1895
Deborah Challinor Grey Ghosts: New Zealand Vietnam Vet talk about their War 1998
emma_in_dream: (Leia)
Ethel Turner, The Story of a Baby, 1895.


This novella was Turner’s attempt to move into adult writing. It’s the story of a couple who separate and then reunite for the sake of their child. It’s certainly not a strong work and her publishers begged her to return to children’s fiction where she had a huge market waiting for her.


The crux of the novel lies in the heroine’s decision to enter a concert despite her husband forbidding it. She tells herself that 'no on literally interpreted that word "obey" in teh marriage service, now that the equality of the sexes was recognised. It was merely a relic of darker ages when women had been little more than chattels; the progress of the century had made it elastic, before long it would be removed altogether.'


Turner wrote this novel after the wild success of *Seven Little Australians* and before marrying her lawyer beau. If a friend of mine wrote this novella while engaged to be married, I would be extremely worried about them. Additionally, the novella has extra short stories to pad the book out to novel length which address:


A man takes the fall for a woman’s crime and she then marries someone else.
A child is sold to a feckless mother.
A man lies to another man and thereby win’s the hand of the woman they both love.
A wife learns that her husband demonstrates his love for her by beating her.
A wife learns to submit to her husband.
One random happy one about a disorganised household.


This is a pretty grim list of preoccupations on Turner’s mind in the 1890s. Of course, her actual home life was quite difficult. Her step-father was opposed to her marriage and quite keen on keeping her at home. He behaved very oddly at the wedding, pushing her husband out of the way to claim the first kiss of the bride. (Gross).
emma_in_dream: (Singin')
Ethel Turner, Little Mother Meg, 1902

Technically, a 20th century novel, I have nonetheless sneaked this into my nineteenth-century reads, as it is the sequel to the 1894 classic *Seven Little Australians*.


Ethel Turner had never set out to be a children’s author and she struggled with her editors about being forced into that box. Although she needed cash and had to write about the Woolcotts again, she was always pushing the boundaries and trying to sneak in a bit of writing for older audiences. The focus of *Little Mother Meg* is, as the title says, squarely on growing up.


Meg is married to boring Alan and living in a cottage and taking care of ‘Little King Baby’ which is, frankly, a bit naff. Nell was reformed in the previous book, so she now has a mild, mild flirtation and then accepts the courting of a character even more boring than Alan. I literally can’t remember his name. And the flirtation is so mild that he almost kisses her cheek but is then revealed to be a cad who flirts with other girls. Pip is studying to be a lawyer and has zero adventures of any sort. Bunty and Poppet get the most interesting sequence, as they buy two bicycles together.


So, not a lot of plot in this one. Except that Turner has to fix Meg’s finances which she does by writing a gothic interlude where Nell rescue a small child from a fire and then Alan nurses the kid back to health and is showered with cheques.


However, what Turner is good at is characterisation. There’s a chapter where they are discussing whether to have a dance party and how to pay for it – and the characterisation of all of them is so good. Nell, eager to entertain. Pip, guilty that he didn’t share his money with Bunty and Poppet when they bought their bikes. Esther, disorganised but kind hearted. Bunty, torn between generously offering up his pocket money and worrying that there won’t be enough food.


Turner’s strong point is always characterisation, and it shows through even in this book that she did not particularly want to write, in this genre she did not particularly want to write.
emma_in_dream: (Leia)
It was a John Christopher kind of month. I also tried the 1980s TV series, but the special effects were a little too... 1980s BBC.

Jean Debelle Lamensdore Write Home for Me: A Red Cross Woman in Vietnam 2006

Jeff Gunn Manson: The Life and Times of Charles Manson 2013

John Christopher The White Mountains 1967

John Wright et al The CSIRO Home Energy Saving Handbook 2007

Mary Grant Bruce Captain Jim 1919

Jennifer McIlwee Myers Growing Up with Sensory Issues: Insider Tips from a Woman with Autism 2014

Benison O'Reilly and Kathryn Wicks The Australian Autism Handbook 2013

John Lanchester How to Speak Money: What the Money People Say and What It Really Means 2014

John Christopher City of Gold and Lead 1967

John Christopher The Pool of Fire 1968

John Christopher TheGuardians 1970

AnnieRaser-Rowland The Art of Frugal Hedonism 2016

Mary Grant Bruce Norah of Billabong 1913

LA Graf Extreme Prejudice 1995

Gerald Durrell The Bafut Beagles 1995

Griff Rhys Jones The Nation's Favourite Poems 1996
emma_in_dream: (CaptainAmerica)
While Catherine Helen Spence’s autobiography was published in 1910, I have sneaked it into the nineteenth century challenge on the grounds that is outlines her long nineteenth century life.

Spence’s life, as described by herself, was one of constant stimulation. After emigrating to South Australia in 1839 with her family after her father was ‘ruined’ financially, she appears to have lived very happily as a single woman involved in everything. She went everywhere and met everyone. Her list of acquaintance is like a who’s who of the nineteenth century. She knew the Australian Federalists intimately because of her decades-long advocacy for preferential voting. She ran for the Federal Convention in 1897, being Australia’s first female political candidate (came 22nd of 33). She met with Harriet Tubman, Susan B Anthony and Mrs Fawcett because her work for women’s votes (which she regarded as part of the larger problem of fair voting). She wrote novels and met with George Eliot.

She was a tireless crusader for improvements to children’s homes, and an inspector of the State’s charity for the elderly. At different times she was a theosophist, an agnostic, a Unitarian and a rationalist. She was the first woman to run for office in South Australia. She had opinions on everything. She believed Mrs Oliphant to be superior to Eliot in style and theme. She designed better menus for orphanages. She lectured on Barrett Browning and Baconism (the theory that Shakespeare’s works were written by Bacon). She was a journalist and a teacher. She wrote text books. She was the first woman to read papers at the South Australian Institute. She delivered sermons in Church. She had radical ideas about tax reform.
emma_in_dream: (obbit)
So, the circulation records of the working class Huddersfield Educational Institute Library exist for 1856-57.


Of the poetry books, the two most popular were Songs of Home and Happiness and the pious Songs of the Affections by Felicia Hemans.


We know Hemans because of the endless parodies of ‘The Boy Stood on the Burning Deck’ but she was very popular in her time.


Poets that we know well today—Cowper, Gray, Burns, Collins, Young, and Gay—were not borrowed at all.

PM

Aug. 27th, 2018 06:51 pm
emma_in_dream: (BTTF)
What a week. New PM *and* Book Week. That's too much for me.

Children went as Danny, Champion of the World, and Hermione Granger.

Despite the ridiculousness of our ever-rotating array of PMs, I would still prefer this to the American system where each party is stuck with the President til death, impeachment or new election.

May books

Jun. 1st, 2018 05:45 pm
emma_in_dream: (Leia)
Christina Rossetti Goblin Market and Other Poems 1859
Robert J MacKenzie Setting Limits with your Strong Willed Child 2001
Laura Gowing Common Bodies: Women, Touch and Power in Seventeenth-Century England 2003
Alison Lurie Boys and Girls Forever: Children's Classicsl from Cinderella to Harry Potter 2003
Daphne du Maurier Rebecca 1938
Somerset Studio 2004
Anthony Hobson JW Waterhouse 1989
RJ Barrow Lawrenee Alma-Tadema 2001
Lynn Flewelling The Oracle's Queen 2006
Lois McMaster Bujold Memory 1998
Michelle Cooper The FitzOsbornes at War 2012
Someset Studio Gsllery 2010
Sybil Burr Life with Lisa 1958
Herstoria 2000
Jane Austen Northanger Abbey 1818

April books

May. 6th, 2018 06:12 pm
emma_in_dream: (steve)
Lois McMaster Bujold Brothers in Arms 1989
Rob Grant Backwards 1996
Rob Thomas Veronica Mars: Mr Kiss and Tell 2015
PG Wodehouse Stiff Up Lip, Jeeves 1963
Lois McMaster Bujold The Borders of Infinity 1989
Lois McMaster Bujold Mirror Dance 1994
Calm 2018
Breathe 2018


Got the B books back!
emma_in_dream: (BTTF)
Dorothy Sayers Have His Carcase 1932
Georgette Heyer Friday's Child 1944
Lois McMaster Bujold Flling Free 1988
Kelly Smith How to Build, Maintain and Use a Compost System 2015
Stained Glass 1990
Georgette Heyer Cousin Kate 1968
Lois McMaster Bujold Ethan of Athos 1986
Bill Bryson Bill Bryson's African Adventure 2002
emma_in_dream: (Default)
Oh my goodness, this must be the smallest total in virtually all my life.

Georgette Heyer Why Shoot a Butler? 1933

Georgette Heyer They Found Him Dead 1937
emma_in_dream: (Corellia)
Archie Crossover Collection
Connie Willis Inside Job 2005
Elizabeth Peters Painted Queen 2017
Penelope Lively The House at Norham Gardens 1974
Robert Graves I, Claudius 1934
Robert Graves Claudius the God 1934
Penelope Lively Cleopatra's Sister 1993
Gwen Grant The Lily Picke Band Book 1982
Terry Pratchett Johnny and the Dead 1993
Louise DeSalvo Virginia Woolf: The Impact of Childhood Sexual Abuse on her Life and Work 1991
Road to Riverdale Vol 3 2017
Georgette Heyer The Unfinished Clue 1933
Terry Pratchett Witches Abroad 1993
Rudyard Kipling The Second Jungle Book 1895
Georgette Heyer Behold, Here's Poison 1933
emma_in_dream: (Default)
October books

Patrick O'Brian HMS Surprise 1976

Agatha Christie Dumb Witness 1937

Heidi McLaughlan Third Base 2017

Dorothy Sayers The Nine Tailors 1934

Connie Willis D.A. 2007

WitW

Oct. 11th, 2017 04:29 pm
emma_in_dream: (CaptainAmerica)
We’ve just listened to the audio tape of *Wind in the Willows*. I had completely forgotten one entire plot line. I remembered Ratty and Mole on the river, messing about in boats under idyllic skies. I had forgotten all about Toad’s manic adventures, essentially all the plot.
emma_in_dream: (Default)
Elizabeth Peters The Falcon at the Gate 1999
James Herriot Let Sleeping Vets Lie 1973
Ann Thwaite Emily Tennyson: The Poet's Wife 1996
Anna Kyrlova Soviet Women in Combat: A History of Violence on the Eastern Front 2010
Clementine Ford Fight Like a Girl 2016
James Herriot Vet in Harness 1974
Why We March: Signs of Protest and Hope, Voices from the Women's March 2017
Agatha Christie Murder is Easy 1939
Mary Grant Bruce Timothy in Bushland 1912
JK Rowling Harry Potter and the Half Blood Prince 2005
Stephen Fry More Fool Me 2014
emma_in_dream: (Trek)
I want to read a well written, lengthy piece of fanfic about Regulus Black. I am fascinated by the way he was brought up as a pure blood, embraced Voldemort and then changed his mind and backed away. I am impressed that he stole from Voldemort so effectively that he did not even find out about it til 15 years later.

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