3 Things

May. 2nd, 2016 06:08 pm
emma_in_dream: (cameron)
1, I am really enjoying the television series of *Tomorrow, When the War Began*. I understand the criticisms of it falling in the yellow peril genre, but what I really want is the *Billabong* series to be made into a TV series and since that’s never going to happen (because it is racist in that special 1910-1940 way) I’m happy to have *Tomorrow, When the War Began*.

2, Still contemplating *Captain America* and mentally fixing the bits I found problematic.

3, I’ve bought a new printer, hopefully one that can handle more than one page at a time.
emma_in_dream: (Yes)
What with the centennial of Gallipoli, it seems like a good time to reread Mary Grant Bruce’s war trilogy – From Billabong to London (1915), Jim and Wally (1915) and Captain Jim (1916).

Bruce was married to an officer who was recalled to London at the beginning of the war. They spent the war in Ireland, where he was recruiting and training troops (which sounds political to me, in Ireland, at the very start of the troubles). So Bruce made the decision not to send Jim and Wally off with the Australian troops to Gallipoli. Instead, she stuck with what she knew and had them choose to travel to the UK to join up there. This also made it easier to avoid fighting scenes which would certainly not be her forte.

From Billabong to London (1915) takes the Lintons to London. Wally is concerned that he is too young to enlist in Australia but he is old enough to be accepted in Britain and Mr Linton has unexpected business there, so they depart as a family. They have a few adventures on the way, notably capturing a German spy.

Jim and Wally begins with a rare glimpse of the boys in a trench in France. They are gassed and the rest of the book is spent as they recuperate in Ireland. Bruce indulges in her unfortunate love of dialect whenever the locals speak. Acting as a group, the Lintons manage to capture a German submarine. (Note that this is the first time Wally is squeamish about Norah joining in, perhaps a sign that the is growing to care ‘too much’?)

Captain Jim concentrates on Norah as she and Mr Linton set up a ‘home for tired people’ where soldiers can come to rejuvenate themselves.

Jim goes missing, presumed dead. Norah and her father carry on, but Wally has a break down. He is always more sensitive than the others. But then Jim escapes from a German POW camp and makes it home in time for Christmas!

All in all, the tone is sort of boys own adventure-y in a ll the books. They have adventures and capture the foe but with very little suffering. The books are, of course, pro-war and include several passionate descriptions of how unfair it is that the same people have to keep fighting all the time because slackers will not come to the front. This is war very much as a glorious adventure.

Warning: The book contains massive amounts of casual racism, both in contemporary views of Aboriginal people as a dying people and in describing the Africans encountered as the cruise ship travelled along.
emma_in_dream: (X Files)
I've got a copy of Isabel Maud Peacocke's *Robin of the Round House* (1918) if anyone wants it.

Peacocke was a contemporary of Ethel Turner and Mary Grant Bruce, though writing for a slightly more mature audience. Una and Sylvia are distressed gentlewomen acting as typists when they come into a small inheritance and move into a little house of their own. They adopt Robin, who turns out to be the son of Sylvia's widowed suitor who she then marries.

The book comes complete with recommendations for other Ward Locke books the reader might like - by Turner and Bruce.
emma_in_dream: (Default)
I finally understand a passage from Mary Grant Bruce's *Back to Billabong* about 'war flour'. Apparently gluten was taken out of war flour and put into munitions. Of course, this just poses another question - why?

'Cakes!' said Wally faintly. 'Jean, you might catch me if I swoon!'

'What's wrong with cakes?' said Jean Yorke, bewildered.

'Nothing - except that they are cakes! Jim!' he caught at his chum's sleeve - 'that substance in enormous layers in that enormous slice is called cream. Real cream. When did you see cream last, my son?'

'I'm hanged if I know,' Jim answered, grinning. 'About four years ago, I suppose. I'd forgotten it existed. And the cakes look as if they didn't fall to pieces if you touched 'em.'

'What, do the English cakes do that?' asked a pained aunt.

'Rather - why there are any. It's something they take out of the war flour - what is it, Nor?'

'Gluten, I think it's called,' said Norah doubtfully. 'It's something that ordinarily makes flour stick together, but they took it all out of the war flour, and put it into munitions. So everything you made with war flour was apt to be dry and crumbly. And when you made cakes with it, and war sugar, which was half full of queer stuff like plaster of paris, and egg substitute, because eggs - when you could get them - were eightpence halfpenny, and butter substitute (and very little of that) - well, they weren't exactly what you would call cakes at all.'
emma_in_dream: (Back to the Future)
Clare Bradford, in *Reading Race: Aboriginality in Australian Children's Literature* (2001) points out some of the difference between the 1910 and 1992 versions of A Little Bush Maid. (The later was altered to try to remove some of the racism).

[Billy] worshipped the Linton children - Jim especially, and would obey him with the unquestioning obedience of a dog. 1910
[Billy] worshipped the Linton children - Jim especially, and would obey him unquestioningly. 1992

‘That’s good,’ said Norah approvingly and black eighteen grinned from ear to ear with pleasure at the praise of twelve year old white... 1910
‘That’s good,’ said Norah approvingly and Billy grinned from ear to ear. 1992

She writes:

‘The 1992 versions take the edge off the language of the 1910 text, but they do not materially alter its depiction of interactions between Billy and the Lintons. Billy still obeys ‘unquestioningly’; his ear to ear grin is still contraste with Norah’s twelve-year-old maturity.... Angus & Robertson’s project of ‘improving’ the book is clearly futile, since to remove colonial discourse one would need to reconstruct its narrative entirely, thereby transforming it into another text. Another option open to adults disturbed by the prospect that children may read the original versions of the Billabong books is to remove them from institutional sites such as school and municipal libraries. But to engage in systemic censorship of this kind invites resistance and infers that young readers are incapable of recognising and interrogating colonial ideologies.’ (44-6)
emma_in_dream: (shelves)
Anyone interested in a copy?
emma_in_dream: (Monroe)
I ordered an Ethel Turner that I don't have with my birthday money. Then it got lost. So I ordered a copy again from someone else.

Got it. Read it. Now I see why there were multiple copies available on Ebay.

It's a very odd Ethel Turner novel. She usually writes realist, contemporary fiction aimed at the group just sub-flappers (would now be called teenagers). This is a fantasy novel with an Aboriginal man building a raft on wheels and having various adventures with talking animals in the bush.

Interesting, I guess, as I know Mary Grant Bruce made a similar experiment - *Timothy in Bushland* (1912).
emma_in_dream: (shelves)
2.31 Melissa Lucashenko, Too Flash (2002)

While looking for articles about Mary Grant Bruce* I found a review of an overview of Australian children's literature by Clare Bradford - and the review recommended Melissa Lucashenko's work as an example of contemporary Indigenous young adult fiction.

And to think that when I started this challenge I worried about finding quality Australian Indigenous fiction. I'm totally embarrassed to admit this now (and I didn't admit it at the time I began). I'm also baffled as now, the more I look, the more great novels I find.

This is a coming of age story, set in Queensland. It has teenaged angst, conflict between girls from different income and education levels, the search for identity, and contemporary Aboriginal politics. It's a really good example of a gripping young adult novel.

* An Australian children's author active from 1910 to the 1940s, mostly known for the Billabong books.
emma_in_dream: (Default)
I have just read a fascinating article - Robyn Emerson's *Requiem for A Little Bush Maid*, published in *Southerly* in 2008.

She talks about the different editions of *A Little Bush Maid*, beginning with the serialisation from 1905 and 1907 in Melbourne's *Leader* newspaper.

There were, roughly speaking, a series of major editions - 1910, a new edition with a more grown up Norah around 1950, new editions in the 1970s, in 1981 and a final edition in 1996. The copyright was handed back to her estate by Ward Lock in the noughties, a surefire indication that they don't think it's worth another edition.

Beginning with the 1981 edition, racial issues began to be edited in the book. This is the first time since 1905 that Noral didn't call Black Billy 'a lazy young n****' (in 1905 she called him a 'lazy young darky' and it got changed for the English publishing).

The final 1996 edition more changes were made. He became a 'general helper' rather than a 'general flunkey' and was no longer 'that black image' but a 'young man'.
emma_in_dream: (Invented in Russia)
*Earthyself* has kindly converted my copy of the 1990s film of *Golden Fiddles* to an electronic format I can see.

The film is... interesting. It has some characters with the same names as in Mary Grant Bruce's novel, but apart from that... an entirely new text.
emma_in_dream: (monk)
I bought a copy of the South Australian film version of *Golden Fiddles* from the early 90s. It's only available on video second hand.

So I ordered it from America, forgetting that my new player won't play NTSC. So, frustratingly, I can now listen to it but not see it.

I shall have to wait til I get access to a NTSC player. (BTW: It seems so odd to me that South Australia filmed in a format you can't view in Australia.)
emma_in_dream: (Jeremiah)
I have been rereading the *Tomorrow, When the War Began* series. As I've mentioned before, I think Marsden draws on the Billabong books by Mary Grant Bruce. The Norah Linton/Ellie Linton parallel is pretty clear.

I just went d'oh! Lee! The name reminds us of Lee Wing, the Chinese vegetable gardener in the Billabong books. (I know, but do remember they were written a long time ago, and Bruce did break with conventions by making him quite heroic towards the end of the series - though always afflicted with the embarrassing stage accent.)
emma_in_dream: (Dark Angel friendship)
Overtime for Wives

There is a certain quaintness, from a woman’s point of view, in the insistent modern demand for a shorter working day. The daily worker in the cities has long luxuriated in a toiling allowance of eight hours, and celebrates teh fact yearly by making solemn procession and oblation, in which festal proceedings his wife takes a due and submissive part. Now that the march of the centuries is bringing still further enlightenment, a Labor conference has passed a resolution in favour of reducing the hours of prescribed work to six; while sundry members of teh New South Wales legislature have expressed iwth some definiteness of opinion that four hours of work constitute as much as should be expected in any one day from any man. While admitting that many Labor members can accomplish sufficient in four hours to keep their constituents ruminating for as many months, the question naturally arises as to where woman comes in.

Man works till set of sun,
But woemn’s work is never done.

sang some observant sage in days before man had agitated for a curtailment of his tol of labour. But it is not recordeded that at any time has Woman seriously demanded a lessening of the impost laid on her by nature and custom - task mistresses who insist to the full upon the handicap of sex. The progress of civilisation brings no change to her position as bearer of the innumerable small burdens of life. Throughouhe ages she has worked overtime, and so will probably continue to work; and not even the most excitable trade union worries about it.

The time table of a woman’s daily occupations would probably surprise even her husband if she found lesiure to record her operaitons in the domestic field for a week. Hers may be the life of little things; but it is none the less strenuous, and the demands it makes upon her energy and her organizing powers are often out of all proprtion to her physical fitness. A mothe rof a family who is without household aid performs perpeutally the task of Sisyphus - a task of whcih the constant monotony robs her of that sense of achievement which is the finest reward of labour. Moreover, she works with the knowledge that, toil she ever so strenuously, she will not accomplish more than a proportion of the duties that straitly beset her. There will always be things ahead to do, and many of them will always remaind ahead, waiting fo thte day when the housemother shall have a little more time. The pride of work is some recompense. But its quality ma dulled by the incessant conviction of incomplete accomplishment.

It is not to be denied that the man of the house has troubles of his own. His is the constant responsibility for keeping things giong, witht eh fear that untoward circumstance may rob him of his fitness or of his opportunities. But in the majority of cases the actual cares of his wage earning are limited to his hours of labour. He goes to his work in the morning well fed and cared for; he returns in the evening to comfort, rightfully entitled to his meal, his pipe and slippers, his easy chair and papers. He is apt to consider himself aggrieved should the baby be tactless enough to break across his calm with ill-considered wails. He has definintly put aside work until the next day.

To the average housemother a restful evening is almost an unknown luxury. The work of her day culminates towards night, when the Man and the children come home to her, to be fed and tended. There are a hundred little services to be performed, a hundred things to remember and to watch for. There are babies of all ages, tired like herself, to be put to bed; nor must she neglect necessary preparations for next day, since she probably realises the advantage of beginning each day with a cahse balance in hand of overnight achievement. If she be prudent, she realises the importance of meeting the Man with a smiling face, and of lending an intelligent ear to his conversation - even though that ear be distracted by the sound of Tommy and Gertie in deadly conflict, or of the overboiling of some cherished preparation on the stove. Should the latter calamity happen, she loses part of her dinner. She has the annoyance of disappointment of wasted work, and she has the consequent task of cleaning the stove. The Man merely loses part of his dinner. Yet it is on the Man’s account, and not on her own, that she grieves.

That a wife should work overtime is so ordinary a matter thato phrase her habitual custom would probably excite ribald masculine mirth. Not all unusual is the type of man who expresses more or less mild amazement at his wife’s occupations. He is prone to recall with unction the prodigies performed by his grandmother, remarking, ‘I can’t think what on earth keeps you busy all day in a little house like this’. No more valuable lessons can be given him than the necessity of carrying on the household work himself, should his wife be suddently disabled. ithout managing to accomplis one half of her daily routine, he will find himself kept extremely busy, and possibly suffering no small amount of fatigue and anxiety. He will learn how completely the comfort and welbeing of the home depend upon the exertions of one pair of hands and one watchful mind, and how much contrivance is needed to make the money he earns cover the multitude of household requirements. Beyond these attainments, he wil leanr how rare and difficult a thing it is to preserve to the very end of the working day the serenity and cheefulness that make a house into a home. For man tkwes the big things in life, and lets the little, worying ones go past him; but woman’s very existence is a compact of details - none of tremendous import, but each a thing that must be remembered. To comprehend her point of view is a very healthful thing for the average man.

It is the lack of comprehension that is apt to make the wife’s overtime a labour of weariness. Work itself is largely a matter of course to the housemother, and she would be more than faintly surprised if some beneficent fairy accomplished for her the mutlitude of daily chosres that make up her existence. She knows that in no case can she finsih her day early. No branch of labour entails heavier and longer hours than dairy famring, and the men who make a living with the aid of the cow are loud in their self-pity. It’s ‘a dog’s life’, say the men; and, without doubt, it leaves no time for any of the softnes of existence. But, despite the fact that it is now almost impossible to obtain men for dairying, the burden of it lies heaviest upon the women - since the men must be fed before they begin work in the dawn, the day is never long enough for itstasks, upon a farm, and long after the men come in at night, and have setled peacefully to their pipes, the women are still at work washing up after the evening meal and preapring for the morning. It is overtime, of course, but a woman’s overtime is not a thing that really matters in the scheme of exitence in famring, or, indeed, in many walks of life It is only when definite payment is made for a thing that it assumes importance.

Not that women gruble at male misunderstanding. The amount of their work and its value are not quantities that they themselves are wont to estimate in words. THey merely contine to work, for home and children mean to them somthing that no man can quite estimate, and sacrifices for home and children do not count as loss. Nevertheless, the strain is not a little hting, nor does it ever slacken. It is more wearing than man’s work for its keynote is monotony. Overtime is necessary - there are branches of work than never begin until the husband has finished his own day’s work; much that cannot be attempted until the children are out of the way, safety tucked into bed. Physical fitness or unfitness are details that must to a great extent be disregarded. Yet, being part ofa woman’s life contract, work and overtime are ordinary matters, to be dealt with in a spirit of decent cheerfulness. THe ability to maintain this depends largely upon her wages - and more partiuclalry upon the overtime wages.

The fact that wives are not paid in cash by no means infers that as labourers they are not worhty of their hire. The payment that really counts iwth them is not cash, but kindness; the guerdon of unfailing appreciattion of their efforts. Rewards more tangible - the little unexpected gift, the thoughtfully planned outing - may be out of the question in cases where income has all tha tit can do to keep pace with expenditure. But even poverty is no bar to the one thing that makes work worhth while and takes the sting out of fatigue or failure. Recognition of what the dial struggle means to a woman, coming from the man for whose sake the struggle is undertaken, makes the hardest task easy; while the wife who works in the knowledge that her husbnad fails to notice the unselfish service that makes her life, toils under a handicap compared with which all others seem as nothing. The one is a partner - the other a servant; and only in partnership are work and overtime undertaken in the spirit that makes them mere details in the big scheme fo existence.

From The Age, 24 September 1912


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