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The American Woman's Home: Or, Principles Of Domestic Science; Being A Guide To The Formation And Maintenance Of Economical, Healthful, Beautiful, And Christian Homes.
By Catherine E. Beecher And Harriet Beecher Stowe, 1869.

Catherine Beecher and her sister Harriet Beecher Stowe collaborated on this book, which aims to improve the status of housekeeping women by increasing their knowledge.

Read more... )

This was a pretty big call – to set up their book as the equivalent of universities and libraries and closed fraternities.

To be fair, the book is a mammoth tome, ranging from house design, to descriptions of common household pests and poisons, to tips on which foods contain the least carbon, a chapter on recycling poop as fertiliser, notes on the excellence of the ‘Chinese character’, diatribes about the difficulties of Irish servants, a guide to child care, notes on how to teach girls to sew, hints on how the American character was developed and much, much more.

Catherine Beecher herself was neither a mother nor a homemaker. She never married after her fiancé perished at sea and lived mostly in various institutions after founding her own, pioneering female academy, one of the first in America to offer a full curriculum to girls. But Catherine Beecher had the massive confidence that Lyman Beecher instilled in all his children. He was one of the foremost Calvinists of his generation; all six of his sons became preachers (though two killed themselves in response to this pressure); Harriet Beecher Stowe was a prominent abolitionist and possibly the most famous American novelist of the nineteenth century; Henry Beecher was the most famous preacher of his generation and the star attraction at a specially built mega-church; Isabella Beecher Hooker was a leading suffragette. Only one of his four daughters refused the limelight and stubbornly chose to spend her time as a conventional housewife.

Catherine Beecher’s interests and arguments were pre-eminent in this book. She notes that she thinks suffragettes were wrong in seeking the vote – the true place for women was the home.

So much has been said of the higher sphere of woman, and so much has been done to find some better work for her that, insensibly, almost every body begins to feel that it is rather degrading for a woman in good society to be much tied down to family affairs; especially since in these Woman's Rights Conventions there is so much dissatisfaction expressed at those who would confine her ideas to the kitchen and nursery.

She barely mentions slavery or the very existence of African Americans (in a book co-authored by HBS and published in 1869!). The only comment I noted was this slighting one:

Slavery, it is true, was to some extent introduced into New England, but it never suited the genius of the people, never struck deep root or spread so as to choke the good seed of self-helpfulness. Many were opposed to it from conscientious principle—many from far-sighted thrift, and from a love of thoroughness and well-doing which despised the rude, unskilled work of barbarians. People, having once felt the thorough neatness and beauty of execution which came of free, educated, and thoughtful labor, could not tolerate the clumsiness of slavery.

And although Christianity suffuses this book, it is certainly not Lyman Beecher’s strict Calvinism. She even points out the Christian virtues of laughter:

All medical men unite in declaring that nothing is more beneficial to health than hearty laughter; and surely our benevolent Creator would not have provided risibles, and made it a source of health and enjoyment to use them, if it were a sin so to do. There has been a tendency to asceticism, on this subject, which needs to be removed.

In short, this is a great, big, rambling book covering pretty much everything that women did in households in the nineteenth century. You want to know about the private sphere? Here is Catherine Beecher, bursting into the public sphere to tell you about it.
emma_in_dream: (kate bunce)
Harriet Beecher Stowe was one of the pre-eminent nineteenth-century novelists, with her *Uncle Tom’s Cabin* being a best seller comparable with *Harry Potter, complete with associated marketing.

Publishing this anti-slavery novel had, of course, exposed her to much public criticism that it was unladylike to acknowledge the wickedness of slavery. In 1859 she wrote an article for *The Atlantic* which, once again, embroiled her in controversy.

Beecher Stowe wrote ‘Lady Byron Vindicated’ to protest the view that Lady Byron was a chilly prude who had driven her husband away (as articulated in a contemporary biography by his final lover). Lady Byron was a personal friend, and she wrote a defence of her character, which argued that she was a noble woman who had been forced to leave her husband as he was so immoral as to be insane. She specifically named his incestuous adultery with his sister.

Knowledge of this alliance had circulated fairly freely in some circles and was acknowledged frankly in his letters naming his niece as his child. However, it was one thing for people to gossip about and another for Beecher Stowe to present the facts to a broad audience in a mass market magazine.

She was immediately criticised for having dared to name this problem. This had been Lady Byron’s problem all along – if she said nothing, she was inexplicably ill willed; if she spoke, she admitted to knowledge which any real lady could not have.

Beecher Stowe framed herself as a moral crusader, rescuing Lady Byron’s reputation since Lady Byron could not speak, but there was considerable backlash. Beecher Stowe attempted to deal with it in the same way she had dealt with criticisms of *Uncle Tom’s Cabin*. Amidst the storm of controversy the novel provoked, she wrote a massive compendium, full of evidence that she had not exaggerated the horrors of slavery. She attempted the same trick this time, but found the audience less receptive to reading about the wrongs of one woman in a detailed appendix.

I think focussing on Lady Byron was a misreading of the public mood. Some of Beecher Stowe’s relations were involved in the suffragette movement, and an article about a broader problem facing women might well have struck a chord with the wider public. Writing about the wrongs done to one (incredibly privileged) woman just didn’t attract popular sympathy in the same way. Even a call to allow divorce more readily in cases of incest would have had a broader appeal, would have allowed a cross over into the women’s magazines, but Beecher Stowe remained antipathetic to suffragettes. Indeed, she associated them with the harm done to her brother Henry’s reputation when he was revealed as a serial adulterer.
emma_in_dream: (Singin')
The biography of Frances Hodgson Burnett features a composite photograph titled 'Image of Eminent Women'.

The writers listed were: Mary Livermore, Sara Jewett, Grace Oliver, Helen Hunt, Nora Perry, Lucy Larcom, Frances Hodgson Burnett. Elizabeth Stuart Phelps, Louise Chandler Moulton, Louisa M Alcottt, Julia Ward Howe, Harriet Beecher Stowe.

From that list I'd say Louisa M Alcott and Frances Hodgson Burnett are still read for pleasure. Julia Ward Howe and Harriet Beecher Stowe are read in courses of literary study. Are the others read at all?
emma_in_dream: (Default)
Apocryphally, when Lincoln met Stowe he said: ‘So this is the little lady who started the big war’.

*Uncle Tom’s Cabin* is now read mostly as a historical curiosity, as a book that polarised opionion before the American civil war. At the time it was enormously successful. It made Stowe $30,000 in the first quarter, and she was voluntarily given $20,000 in a penny per edition from readers in the UK where her copyright did not extend.

I was pleasantly surprised when I reread it. My chief memory is that the death of Little Eva was so bad it was funny and featured pages of hymn singing. This time round I found several things I like.

Firstly, I like the unabashed emphasis on emotions, on sentiment, on getting people to ‘feel right’.

There is also a curious form of female empowerment in which women have all the moral power. Eliza is the one who saves her son; Mrs Bird is completely meek except that she gets her own way all the time.

Also, Harriet Beecher Stowe herself claimed the power to speak publicly so long as she did so on behalf of others. She wrote:

‘I wrote what I did because as a woman, as a mother I was oppressed & broken-hearted, with the sorrows & injustice I saw, because as a Christian I felt the dishonor to Christianity - because as a lover of my country I trembled at the coming day of wrath. It is no merit to the sorrowful that they weep, or to the oppressed & smothering that they gasp & tremble, nor to me, that I must speak for the oppressed - who cannot speak for themselves.’

As a sidenote, Stowe struggled with the issue of speaking publicly. She justified herself as speaking for others, but she literally did not speak when she was on tour. She sat at the tables while her husband read a speech she had written or, more often, gave his own speech.

And it was striking that she was often criticised for speaking at all. The harshest review said: ‘Mrs Stowe betrays a malignity so remarkable that the petticoat lifts, of itself, and we see the hoof of the beast under the table.’ The wrong was not slavery but denouncing it; just as modern writers are often criticised for mentioning domestic violence rather than the problem itself being seen as the wrong.

What I disliked was really the reverse side of these positive elements. The novel is overly sentimental. I cannot tell which death scene is more over the top.... Eva’s ‘Love! Joy! Peace! or St Clare’s ‘MOTHER!’ or Tom’s ‘Who - who - who shall separate us from the love of Christ?’.

But, having said this, I must acknowledge that I was more able to tolerate this sentiment after reading Stowe’s biography and learning of the strict codes of good death in the nineteenth century. Protestants removed all the Papist rituals, and then codified their own rituals of death, wherein the dying person had to profess their faith, bless those left behind, and look forward to the future of heaven. When Stowe’s mother died, for instance, she told her children (who were brought into the deathbed as was the custom) that she had never prayed not to leave them.

Also, Stowe claimed authority to speak on behalf of others who were suffering, a strategy which allowed her to write but one which limited the way she could portray the slaves. Within this schema, Uncle Tom has to suffer passively and nobly so she can point to his noble, passive suffering. Uncle Tom makes my skin crawl at times, especially the point when he forgives Legree.

Also, Stowe’s proposed solution to slavery was to ship freemen back to Africa, regarded even in the nineteenth century as a reactionary position. So it’s not just that she doesn’t meet twenty-first ideas of racial equality; even in the nineteenth century she was in the less progressive camp.
emma_in_dream: (Default)
31 July - Harriet Beecher Stowe, Uncle Tom's Cabin
emma_in_dream: (Default)
I'm rereading a biography of Harriet Beecher Stowe. Comment on her might come later.

Right now I'd like to give a shout out to her mother, Roxana Beecher who wrote to her sister-in-law:

'Would now write you a long letter, if it were not for several vexing circumstances, such as the weather extremely cold, storm violent, and no wood cut; Mr Beecher gone; and Sabbath day, with company - a clergyman, a stranger; Catharine sick; George almost so; Rachel's finger cut and she crying and groaning with pain. Mr Beecher is gone to preach at New Hartfield, and did not provide us wood enough to last, seeing the weather has grown so exceeding cold... As for reading, I average perhaps one page a week, besides what I do on Sundays. I expect to be obliged to be contented (if I can) with the stock of knowledge I already possess, except what I can glean from the conversation of others... Mary has, I suppose, told you of the discovery that the fixed alkalies are metallic oxyds. I first saw the notice in the *Christian Observer*. I have since seen it in an *Edinborough Review*. The former mentioned that the metals have been obtained by means of the galvanic batteryl the latter mentions another, and, they say, better mode. I think this is all the knowledge I have obtained in the whole circle of the arts and sciences of late; if you have been more fortunate, pray let me reap the benefit.'

What was this woman doing that she could not manage learn?

Merely keeping house for nine children (Henry and Harriet Beecher were seventh and eighth of thirteen children - and suffered from classic middle-child over-performance to get attention).

She did have two female servants helping her, but still there was also her husband, an orphan cousin, and up to eleven boarders. Plus an aunt and uncle who visited regularly and for long periods. And a string of visiting clergy who used their house as a boarding house.

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