emma_in_dream: (Default)
Here is my pitch to Hollywood about two books I’d like to see adapted.


One is Mary Renault’s *The King Must Die* which is the story of Theseus the minotaur slayer redressed and given a historical and archaeological basis. It’s set in the Minoan world where various youths are sent to Minos to be offered to the gods as bull dancers. Theseus manages to get there, keep all of his group alive, and overthrow the whole system assisted by an earthquake and a peasant uprising related to the effete nobles not taking the sacrifices seriously.


Most of the story takes place on Minos, amidst a richly decorated palace, with Theseus, a few of his favourites and a host of other bull leapers. The thing that Renault emphasises again and again about these bull dancers is that they are beautiful and young and nearly naked. I am pretty sure there is a market for a movie about a group of beautiful, young, nearly naked people doing amazing acts of athleticism and being heroic. The plot is essentially that beautiful youths are kidnapped, Theseus volunteers to join them (because – hero), they are beautiful and naked and jump over bulls, Theseus has a love interest, they defeat the evil empire. How could you lose with that plot?


The book was actually optioned as a movie in the 1970s but they ran into the problem of there not being any actual bull dancers (and, you know, it being insanely dangerous/near suicidal to leap over a bull’s back). But CGI! You could make it look really real without having to risk having your actors gored.


The only downside for Hollywood that I can see is that *The King Must Die* depicts a vigorously pantheistic world. There are lots of gods. Theseus himself is the son of a god who visited his mother in the form of a man. It is wise to not offend any local gods that might be around. The book is deeply religious, with all the characters believing in various gods, praying to personal gods and believing themselves to be sacrifices to a particular father god. This would perhaps not be in accord with modern beliefs – though Renault is careful to show nothing that could not be caused by non-supernatural causes. For instance, the king of Minos is dying after being cursed but also after his bracelet was taken and returned – after which he got a leprous infection beginning under the bracelet.


The other book that I long to be made into a movie is Robert Heinlein’s *Between Planets*. Like *The King Must Die*, it could not have been made when it was first written, but with modern CGI it could look so good.


And it has everything that a Hollywood movie needs. The protagonist is a young everyman. It has the corrupt and decadent Earth which seeks to control the free frontier planets. It has a scene in a decadent nightclub on decadent Earth. It has amusing technology to show you it is the future (the alarm clock that dumps him out of bed). It has big scenes set in space with explosions. Lots of scope for spectacle. And once he gets to Venus, it has Venusian dragons which would be marvellous in CGI (and the marketing potential!) and who are full of Yoda-ish wisdom. Plus it has plucky settlers, full of grit and spirit. It has cute native wildlife (again with the marketing sidelines). It even has a love interest who adds humour.


This book is basically the perfect collection of everything that Hollywood loves and I want to see it.
emma_in_dream: (Default)
Mary Renault is one of my favourite authors. I can safely say that everything I know about classical Greece I learned from her historical novels.

A quick biography for those who don’t know her life - She was a nurse in the 1940s, and wrote a series of doctor-nurse romances, then a contemporary lesbian novel and a contemporary gay novel, before switching to historical fiction often about gay male heroes’ romances and adventures. She moved to South Africa with her life-long partner, Julie Mullard.

*The Praise Singer* (1978) is about a poet working at the time of transition from oral to written composition and transmission of work. *The Praise Singer* was published just prior to Walter Ong’s *Orality and Literacy* came out (1982) or I would have said it was influenced by it. There is a very powerful passage describing Homer’s work being written down for the first time.

This is not one of her romances. Simonides, the protagonist, has his chief relationships with his family, his patrons, his protege and his peers. Nonetheless, she describes a world with a very different view of sexuality. Some of the free adult men prefer sex with women; others prefer ephebes.

I really enjoy the creation of this different, quite alien world, though I must say that I do find the underlying strands of misogyny disturbing. Of course I’m not suggesting that this comes from Renault - it’s built into classical Greek culture. The most valued relationships are between two free men because they are the most worthy men. (Men may like women but they cannot be peers). As the Greeks said, men have their friends, women their families, and animals their own kind.

In short, Renault is a great historical novelist, really bringing the details of classical Greece to life. She shows a world which is very different - in *The Praise Singer* she focuses on differences in oral performance of literature and written appreciation, and she explores, in the background, a quite different view of love and relationships.

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December 2020

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